Moby Dick Essay Example for Free

Moby puppet EssayMelvilles Moby neb is widely recognized as i of the most complex and brilliant allegoric freshs in American literature. As an allegory, the events, places, people and conflicts depicted in the novel represent not totally the obvious surface-level elements of the novel, but stand as indications of the novels philosophical and metaphysical themes. The allegory of Moby Dick involves an examination into the genius of reality and also into the nature of good and evil, as defined for Melville partially by Americas Puritan heritage. Melville wanted to portray the essence of evil in a symbol, which was the whale, Moby Dick. When Ahab says All visible objects, man, are but as pasteboard masks, (Melville) he is echoing the allegorical construction of the novel in which each thing, such as the whale, Moby Dick, is save a pasteboard mask (Melville) which hides the true essence beneath, an un hit the hayn but still reasoning thing (Melville) which puts aside the mo uldings of its features from behind the unreasoning mask (Melville).For Ahab, the unclouded whale is the mask which disguises truth and the revelation of the nature of reality. In this sense, the white whale becomes a symbol for whatever it is that holds mankind back from the perception of absolute reality. Ahab unimpeachably reveals his Platonic beliefs when he says If man will strike, strike with the mask How can the prisoner prepare outside except by thrusting finished the wall? To me, the white whale is that wall, shoved near to me.sometimes I think theres naught beyond. (Melville) In this sense, the whale represents oblivion, the naught beyond which in Ahabs mind is plainly associated with death. It is toward the heart of the nature of reality that Ahab strikes with his blood-sealed harpoon, not merely a fish in the ocean. For Ahab the white whale represented both ultimate reality and the wall which separates man from ultimate reality.Ahabs quite a little of nature and r eality is that the visible world and all of the events, people, and actions in it are indicators of deeper, more profound, metaphysical ideas and experiences when he hunts the white whale which represents evil and oblivion, he is hunting the absolute nature of evil, not merely one of its beasts. The intense hate that Ahab feels for the white whale helps to distinguish Ahabs view of reality as presented in the novel form the vision of reality Melvile was trying to establish by way of the allegory of the novel.While Ahab believes the white whale to be the symbol of evil, Melvilles depiction of evil through the allegorical structure of Moby Dick is shown, ironically, through Ahab himself and not through the symbol of the whale. Instead, for Melville, the whale symbol indicated the cosmic universe and was exhaustively related through his use of cetological detail and science. In this way, Ahabs obsession and hate are shown to be a tragic mar along the lines of some of Shakespeares hero es, after whom Ahabs dialogue explaining his motives for hunting Moby Dick are clearly derived.As pariah gains a closer, more intimate apprehension of whales, the development of his character and spiritual insight are correspondingly elevated. The more detailed are the cetological experiences and catalogues, the more wholly expressive and self-possessed and sure becomes Ishmael. Still deeper correspondences amongst the cetological material and Melvilles narrative form are established in Ishmaels descriptions of the whales snuff and skin which he posits as being indistinguishable.This is reflected in the narrative structure of Moby Dick where it is equally as difficult to apprehend where the skin (overt theme and storyline) of the novel ends and the blubber (cetological and whaling discourses and catalogues) begin. Melville makes it perfectly clear that the blubber is an as indispensable part of his novel as it is for the whales body. For the whale is indeed wrapt up in his blubber as in a real blanket or counterpane or, still better, an Indian poncho slipt over his head (Melville) therefore, too, is the expository material, the blubber of the novel wrapped around its central, allegorical aspects.The detailed cetological aspects of Moby Dick may, indeed, prevent the reader from an easy, and immediate grasp of the novels meaning or even its amaze climax. Just as the whales hump is believed by Ishmael to conceal the whales true brain part the more easily accessed brain know to whalers is merely a know of nerves, the secret core of Moby Dick can only be pursued with patience and close, deep snipdue to the organic and harmonious nature of its narrative form.By keeping in mind the previously discussed aspects of the relationship between Moby Dicks comprehensive cetological materials and their symbolic relationship to the novel itself, its form and themes, Ishmael, while discoursing on the desirability of whale meat as fit food for humans, offers an ironic gest ure toward the novels probable audiences. But what further depreciates the whale as a civilized dish, is his exceeding richness. He is the great prize ox of the sea, too fat to be delicately good (Melville).